Hobby the Hobbit

Dat Sum Gud Paht 

Dat Sum Gud Paht 

Last night, I went to dinner at a hot pot restaurant. And not that kind of pot, though I have inhaled. For those not in the Asian Brethren, hot pot is a style of eating where people sit around a hot pot of boiling water (Duh?) and cook their food. Sometimes a hot grill surrounds the hot pot where, you guessed it my non-Asian Brethren, you can grill stuff. Afterward, we headed off to a dessert place to sit and chat, cuz chatting as we devoured our meals while pieces of food shot out isn't the most conversation inducing activity.

One of the ladies told us what she did, which sounded very technical, and I asked if she loved it. The guy next to me scoffed, stating that that was an extreme question.

Is it?

Doncha Luv Me 

Doncha Luv Me 

Would you keep your dog if you sorta kinda but not really liked it? Would you marry someone if you maybe loved, but probably not because you deluded yourself into thinking that you did, so you might love them if they stood in a certain light at a particular angle?

I asked him wouldn't it be great if he found something that he loved doing and could also make a living off of it? He nodded, shook his head, then waved it from side to side like Indians.

"What do you love doing?" I asked.

"Playing tennis."

"Would you wanna make a living doing that?"

He shrugged, then said, "Sure, I guess. If I had the talent and the ability and the time. But it's a hobby. Like writing is a hobby."

Whoa, buddy! "I'm a writer."

"Yeah. It's a hobby. Like photography."

Whoa, pal! "No. It's what I'm most passionate about." Outside of sex, of course, the ultimate passion.

I explained that I don't make money off of my writing, yet, so I have a day job so I can eat, drink and take out the ladies.

But I'd run into this pigeonholing of what writing is, and funnily enough, by Asians. What is it with my brethren?



As of this moment, I've yet to publish or self-publish my work, so what makes a writer, or any artist, a professional? Is it the distinction of being paid? What about those writers who have agents but have yet to sell books? Are they not professional? Or those self-published that have yet to collect on their works, are they just hobbyists? Because there's a lot people who self-publish just to put stuff out there.

I'm not sure what the clear answer is, but I do consider myself a professional in the sense that I can act professionally when I work with publishers and agents, despite my sadistic humor displayed on this site. For me though, there's more to it. The fact that my resolve is to get published, or self, and am doing what I can to polish my work, go to writing groups, pay for writing critiques, and continue to learn the art of storytelling and writing, while learning the business side of publishing, at least affords my writing beyond a hobby.

Tall coffee, prease

Tall coffee, prease

My fellow Asian brothah (not the one pictured) plays tennis for enjoyment but has no intent on doing it professionally because he doesn't think he can. I don't know whether he has the talent or ability, but he argued for his own limitation before even starting. And after teaching hundreds upon hundreds of students, I can tell you that talent is a small part of being good at something, and is often the one thing that holds people back because they didn't have to work to become good in the beginning.

In my opinion, which is the most important to my perspective, is that I'm a pro. I know this ain't a hobby. However, if that guy still thought I was just a hobbyist, then that speaks more to his own thinking about himself. Spending any time trying to convince him would be a waste. And I'm not trying not to be cliche, but to each his own. Whatever's clever. Whatever floats your boat. Whatever jerks your chain. What you see is what you get.

Inner Story

When I first started pitching my book to various literary agents, the most common question they asked was why is my main character so against unification, the joining of the seven provinces in my story. Like many things in life, I didn’t know the real answer. The actual story, however, did know it.

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I watched a documentary on Netflix called AI WEIWEI: NEVER SORRY. Ai Weiwei is a Chinese artist who helped design the Bird's Nest featured in the Beijing Olympics. He uses social media and art to inspire protests against the Chinese government. The thing about China is that freedom of speech is not a basic freedom like it is here. And to inspire any level of protest there would only result in one end.

An interviewer asked him why he’s so fearless compared to other people. His response: I’m so fearful that’s not fearless. I’m more fearful than other people maybe…then because I act more brave because I know the danger’s really there. If you don’t act, the danger becomes stronger.

That hit me like a brick wall that swung through the humid jungles of South China. That’s an absurd sentence, but Weiwei's answer completely encompasses why my main character fights against totalitarianism than just rolling over and joining an enemy that seemed too strong.

Your claws woman!

Your claws woman!

And the actual story, the character, knew this without me consciously having to know. I can see the words, sentences and dialogue where he states this, just not in those exact words. Otherwise I’d know how to answer the question.

Now, I’m not here proclaiming my genius, nor am I proclaiming anything about me. There are two things going on here that I can see. One; stories choose us, the storytellers. Somehow we become the experts to those stories because we were chosen, and two; if we don’t tell it, if we do not follow that path given to us, we will in some way suffer.

We become the experts. What the hell does that mean? That doesn’t mean we as writers don’t need to do the research. We do when needed. We are the experts because somehow in some divine way we were given insights or the true meaning behind the stories we tell. In NIGHTFALL, if a person wanted to read for pure fun without wanting to know anything more than just the superficial stuff—the rollercoaster ride, the adventure—that’s fine. But if that person was curious enough, the hidden meaning behind the whole story and what drives every character in NIGHTFALL could be revealed to him or her, and they may learn something about themselves. In that sense, there are two basic layers to NIGHTFALL. Obviously, I can’t control whether the reader delves deeper or not. It’s their choice, and I wouldn’t want that control anyways.

I think you need a Tic Tac

I think you need a Tic Tac

I do believe, as people, we have gifts that we were given to give to the world. Huh? I do think we were put here for that reason. Every scientist and philosopher is trying to answer that question, and they can’t because the answer is different for every one of us. As far as I can tell at this moment, I was supposed to write the 7th Province series. Others were put here to teach lessons to their children, students, sections of society, the world. But if we don’t follow our paths, then what happens? Suffering. Whether it’s within that person who didn’t follow their path, or the people the gift wasn’t given to, I’m not sure. Something goes missing, then maybe it’ll fall onto another human to give that gift.

I was asked what my main character’s passion was. I didn’t know. For a long time I didn’t know. A few years after completing the first draft of NIGHTFALL, I figured it out. And the amazing thing was it was in the writing. I just didn’t see it.