Ancient Aliens

I've found real evidence that ancient aliens not only visited our planet Earth, but there's real evidence that they also kidnapped and attacked ancient humans in ancient times. Not only is this evidence real, it's in plain view for everyone to see, so not even the government can cover it up.

A group of friends and I had decided to go on a winter hike in Yosemite National Park on a wintry day, hence winter hike. We all carpooled for three hours because we are green, not like Martian green, but Earth green. After arriving to the visitor center, we all stretched in the crisp icy air, unmolested by the faraway cities' smog and noise. Despite the sparse snowfall California had experienced, there was still a good layer of white powder that gently covered the high granite tops and brushed the tips of the pine needle trees. Our hiking shoes milled the gravel as we walked to the bathrooms to empty our bladders, and then, fully relieved, off we went.

The hike filled our cameras with picturesque views, invoking torrid conversations about relationships, and brought laughter that echoed against the cathedral granite walls. And that was when it happened.

As we were walking toward this certain great wall, I couldn't peel my eyes away from this mural that had been painted across this unimaginably unending stone canvas. The rest of the group turned right, following the rocky path. I walked toward this great wall, hoping to grasp the magnitude of what this mural represented. And I realized that who or what ever had created it was trying to communicate to us that we have been visited by ancient aliens. You say impossible. I ask could it have happened? I undoubtedly must conclude...yes it could have happened.

I took pictures of the stone wall from two different angles using my iPhone. I've done nothing to edit it, to change its coloring, to enhance it in anyway to suggest that the mural exists. You can see it in plain view that it exists. You have to be blind not to see that it totally and undeniably exists, in plain view.

photo 1a.JPG

On the far left part of this amazing mural is what can only be determined as an ancient alien astronaut, sitting in what can only be summarized as a high-tech, fully functional, super advanced navigational throne. The space helmet was undeniably and unmistakably supplying this ancient astronaut both air and protection from the hazards of inter-dimensional travel. More on that later. We can see his hands typing on a very advanced communication device that also doubled as a control center for his ship. You may ask, how do I know this ancient astronaut is piloting a spaceship?

Placed right in front of this ancient alien space pilot was a screen that had been more advanced than any plasma screen that we can hope to imagine from Sony or Samsung or even Apple! It's obvious to me, and I'm sure to the smart people reading this, the screen seemed to span across the pilot's complete vision, giving him the view of the outside world like a fish tank with no obstructions of any kind, as interpreted here. And what was more amazing was that he was not alone. There was a fleet of space ships that had accompanied this ancient alien space pilot.

As you can very well observe, I've outlined two other space ships that are flying through the air. The mural also illustrates in plain view that the ships were either firing something, or maybe they were beaming something up, or even possibly firing its engines. More surprisingly is that there was another ship to the far right that was painted, as you can see by its energy output lines. But for some reason that ship is missing from the mural. And I think I know why.

Something must have destroyed part of the mural because the rubble that is found below wasn't from erosion. If it was erosion, the rubble would have been right below where the ship had been painted. Instead, we find the rubble toward the center, as if something from the far right had struck that part of the mural, sending the rocky debris in that direction.

The question now must be, what do those lines under these ships represent? Some kind of weapon like a super advance laser targeting system, SALTS? Or were they trying to beam something on board? With the now thousands of alien abduction stories that seem to only take place at night away from prying eyes (apparently they can fly millions of light-years here through barren space, but they have no cloaking system to make themselves invisible), I deduce and also surmise that they were abducting something.

The great mural clearly depicts ancient humans. What's clear to me and why magic doesn't exist anymore, is that these ancient humans were sorcerers. They seemed to be emitting something, maybe casting a spell in the hopes of repelling these super advanced ancient aliens away. Obviously, this tactic did not work and the sorcerers were abducted and never returned, giving creed to the extinction of magical conjurers and mystical magic as we know it.

But I did make one mistake in my analysis. Dragons as a mythology had been a prevalent idea all over the world in the art of ancient China, as far south as Mexico on ancient Mayan pyramids, and even on ancient Viking battle ships from the great white European north. Where and how had these ancient humans, who've literally had no contact with each other, learn and depict of such a monstrous creature? It dawned on me like a rising sun in the very hazy and foggy San Francisco morning.

Wormholes.

Before eschewing the idea, ask yourself, could this have been a possibility? Couldn't the ancient aliens whose technology far outpaced our own have created and controlled the violent and absolute destructive nature of wormholes? In my mind, the answer has to be an unmistakable yes.

This mural shows a large opening, a mouth maybe; and a long body, the tunnel between time and space; and the flashes of light when ancient space ships entered, most likely the energy outbursts caused by the folding of space and time, must have looked like fire that these wormholes breathed. And unbeknownst to ancient human beings, without the acumen of knowing what these wormholes really were, could only describe them as large creatures that did nothing but eat and devour and destroy anything in their paths.

And it's evident to me that the works of Tolkien were not fictional works but of historical preservation. With the apparent extinction of sorcerers, it makes perfect and terrible sense to me why we don't see trolls, goblins, witches, elves, hobbits, and why no one attends Hogwarts School anymore. Tolkien had written about a great battle in Middle Earth. He was writing about the great battle between the powerful creatures of Earth and the ancient aliens. And, despite the great magic that once existed, we had lost the battle.

So the ancient aliens weren't abducting humans as much as destroying any creature that could potentially prove them harm, leaving only the feeble minded ancients, our ancestors.

One last moot point. It's obvious to me and to anyone looking at this massive mural that ancient aliens created this piece of art. Just like in Egypt, ancient aliens had at the very least assisted our ancestors in building the pyramids. The question is why. Why had this mural been painted? Simple. It's a warning for us not to rise against those who have technology far beyond what we could ever imagine. 

Touch Me

Jobs vs Jobs

Jobs vs Jobs

In my post, The Killing Mood, I talk about how THE KILLING was heavy emotionally because it not only focused on the detectives hunting for the killer but also delved into the hole that murder leaves in a family. And the only way that I know how to do that is to get really intimate with the affected people dealing with their pain, memories, guilt and regrets of their last ragged encounter with the dead.

I had read reviews of jOBS, the biopic about the famed Apple co-founder, Steve Jobs. Ashton Kutcher, from all the reviews I'd seen, stated to some degree that he had done a great job imitating Jobs, but the movie itself didn't do anything to add to what fanboys already know. I think the main issue here is lack of intimacy.

Now you may say, "You haven't even seen the movie." Correctamundo, as Michaelangelo would say, the ninja turtle.

But I've seen enough biopics, even Dragon: The Bruce Lee Story, to know that most don't do the subject justice because they try and fit too many things, eventually diminishing the whole person down to a book report written in bad grammar.

I am tired

I am tired

This is where movies like Fruitvale Station and Lincoln excel. Both deal with huge issues, in this case racism, from an intimate point of view of the character. I'm not sure if the fact that both characters die at the end that makes it more intimate, but since many who I've talked to about Lincoln wished there was more action makes me think that's not the case. It is called Lincoln not Let's See Some Civil War Killins.

jOBS, I think, fails in regards to intimacy. In writing, especially storytelling, there's a term called rooting, where the creator emotionally roots the characters to their readers or audience. This can be done through tragedy, an example is my prologue, through teaching someone something new, The Karate Kid, or the sacrifice of oneself, 300. I know. But I loved that movie. The inherent problem with trying to show a life story is showing the life story. We can't get a sense of who these people really are because the storyteller is moving through the events quickly to get everything in.

When any story tries to cover long periods of time, it loses touch, and as a result, loses their audience. That's why most fictional stories focus on important events and rarely dive into the life and times of so and so. It's the tenet of fiction, write about the important stuff, cut everything else.

The Sony film on Steve Jobs is being written by Aaron Sorkin, who wrote The Social Network and one of my favorites, The Newsroom. He has stated that his script will center on backstage events of three Apple product launches.

At first I was taken aback...and beaten. Then I realized that's pretty ingenious. It allows us to get real intimate with Jobs the person, and since so much of him bled into his professionalism--his crying, temper tantrums, bullying, and the like--we should get to see many facets of this master marketer. And this is what biopics try and show anyway, who the person is, at least from the storyteller's point of view.

Honestly Express Yourself

One of the things you don’t do is drink Diet Coke at night. Because it may keep you up. Feeling a bit alone, I surfed the late night cable channels. I’ve come across one of my rising favorites, the History Channel.  They showed a documentary called How Bruce Lee Changed the World. It shows how Bruce Lee changed the world.

See myadventurewhen I visited his grave site

Obviously, he changed the film industry greatly with his action films. He introduced martial arts to America. He helped changed philosophy. He broke the rules of classical martial arts, taught that the study of multiple martial arts was important, giving rise to the now popular MMA (mixed martial arts). The biggest promoter, UFC, gives him credit as the first MMA. He’s definitely influenced my book in more ways than I realize.

The cool thing about this Bruce Lee documentary, there have been many, is they’ve taken a look at popular culture and credit the Little Dragon for his influence.

Bret Ratner, director of Rush Hour, used the music composer from Enter the Dragon to compose the music for his first movie. The hip-hop group Wu-Tang Clan was deeply influenced by Bruce Lee and Hong Kong action films. Their first album sampled music from those movies, and aptly named their album Enter the Wu-Tang. Marketing companies still use Bruce Lee today to increase their brand. If you search youtube.com for “Bruce Lee” and “ping-pong”, you’ll see the most current example. Bodybuilders today marvel at his muscular definition. Most action films can find their heritage to any of his films. And many more.

Bruce Lee was important to me because he was Chinese. I’m not being ethnocentric. What most people don’t realize is Bruce Lee had a difficult time becoming a leading man in Hollywood back in the day for one reason only.

He was Chinese.

He could’ve been Japanese, Korean, Vietnamese, or any Asian descent. His slanty eyes presented a problem. Bruce Lee encountered a lot of resistance, despite his deep connections in Hollywood’s elite.

So what kept him going?

He knew this was his path. He knew where his passions lie. In his words, “...honestly express yourself...” Follow your heart and treasures beyond your dreams will come.

If he were to teach one thing, it’s this.

The greatest mystery in life is finding what it is you’re passionate about. So many have settled down for the mundane job because it pays the bills.  It's one thing to have a day job.  It's important to have a 'night' job. For those who’ve found it, and know it is their truth, then you have succeeded where most have not. And I’ll paraphrase from the movie The Curious Case of Benjamin Button: It’s never too late to start, it’s ok to start over, but the most important thing is to do. Break the rules if you have to, as Bruce Lee has, as long as it furthers your art, your passion. Just do it. Do it. Do.