Resist! Ban! Boycott! This is crap! These were some of the words screamed from nerds far and wide when they saw The Last Jedi. I was definitely one of those nerds, prompting me to explore one of the reasons the film sucked. What I didn't think would happen was the fans' boycott of Solo: A Star Wars Story. Occasionally, I'll see YouTube recommendations on the subject of the fan backlash and news that Disney is pulling out before committing themselves to another evil stepchild of a Star Wars movie.
One vlog asked the question whether Rei is a Mary Sue, a character that can do no wrong and is good at everything. The vlogger did a much better job than I, proving why she is. And it's not about gender. For me, it's about the character set up.
This particular vlog had mentioned that Disney execs stated that the ensuing films would clear up why Rei is the way she is. This is bad storytelling.
In fiction, be it book, film or TV, the suspension of disbelief is a willingness to suspend one's critical faculties and believe something surreal. The reader/viewer goes into fiction with this already built in. Meaning, when an audience goes to see a film, they know that everything on the screen is fake, but they've put that knowledge aside. They want to be taken on a rollercoaster ride. They want to feel the ups and downs of the characters without risking anything themselves. So it falls to the storyteller to maintain that suspension of disbelief. Otherwise, the audience will be taken out of the experience because they'll inherently question the logic of the story.
Truth is stranger than fiction, but it is because Fiction is obliged to stick to possibilities; Truth isn't. —Mark Twain
In The Force Awakens (TWA), Rei as a character wasn't set up well. She's never been off planet, she's not part of any military, and her parents are unknown to her, and as a result, to the audience. She's great at taking things apart, but that doesn't make her a great pilot. So when she's able to fly the Millennium Falcon like a seasoned veteran, the audience will naturally wonder how and why.
Getting back to the Disney execs. The idea that the following film(s) will show why Rei is good at everything is bad storytelling. At this point, it's too late. This has to be done first in TWA in order to support the logic for the following events. Try going to a bank and have them give you a loan before you can prove that you can pay it back. Common. I dare ya.
Well, Jimmy, have you heard of subprime loans that caused the 2008 financial crisis?
Yeah, but we've learned our lesson and banks ain't gonna do that again.
Uh...not so fast my slanty-eyed friend. Subprimes are back!
Still, the fan backlash is real. The low box office numbers for the following film, The Last Jedi, supports it. And, of course, Solo couldn't escape the bad storytelling decisions Disney had made. Solo flopped in the box office, despite it being a better film.
For me, each novel or film has to be contained in and of itself. They can have cliff hangers. But the arc of the character/story should be complete. And they can lead to another arc or be a part of a greater arc. I've been very conscious of that when writing my novels. This is the keystone to why I love story. And of course to get chics. That has not worked out well. They don't seem to care that I'm an artiste.